ARTIST STATEMENT

ARTIST STATEMENT

ARTIST STATEMENT

Ben Reynolds creates configural art. Intuitive line-based compositions that evolve without a plan. What began as doodles has grown into a meditative practice spanning works on paper, murals, and sculptural wood pieces. Each form flows naturally into the next, balancing precision, rhythm, and space.


Reynolds approaches making as both craft and dialogue, guided by curiosity and faith. His process transforms simple marks into layered configurations that invite viewers to find their own meanings. Reminding us that art, at its core, is an act of exploration and connection between hand, material, and spirit.

ARTIST BIO

ARTIST BIO

Ben Reynolds is a multidisciplinary visual artist who graduated magna cum laude from the Savannah College of Art and Design. Over years of exploration and refinement, his work has appeared across a variety of platforms, including murals in Dallas, New York, and Liberia. He now focuses on translating 2D line work into 3D forms through wood fabrication.


Ben has been featured in D Magazine and recognized as one of Dallas’s top 10 muralists. His practice is defined by a carefully developed visual language, emphasizing configuration, spacing, and rhythm, which carries across both his sculptural and

two-dimensional work.

Ben Reynolds is a multidisciplinary visual artist who graduated magna cum laude from the Savannah College of Art and Design. Over years of exploration and refinement, his work has appeared across a variety of platforms, including murals in Dallas, New York, and Liberia. He now focuses on translating 2D line work into 3D forms through wood fabrication.


Ben has been featured in D Magazine and recognized as one of Dallas’s top 10 muralists. His practice is defined by a carefully developed visual language, emphasizing configuration, spacing, and rhythm, which carries across both his sculptural and

two-dimensional work.

PROCESS

PROCESS

PROCESS

Working across materials has shaped how I think about structure and design. From pen and ink to wood fabrication, each process informs the next. Teaching me how surface, rhythm, and weight can define a composition. I approach every material as a problem to solve and a dialogue to continue.